A close up of psilocybin mushrooms.

Memento mori

A close up of psilocybin mushrooms.
Photo by Nick Fewings

The timing of Evan’s tragic death, mid-October, forces Siobhan to face memento moris at every turn. But skeletons in blood-spattered windows are less poignant reminders than the signs of natural decay she finds in her daily walks in the woods. Rotting apples on blankets of brittle leaves. Voracious, implausibly shaped toadstools decomposing dead wood. Everything ends, the faded Michaelmas daisies seem to declare, smiling down upon the stripped strands of once verdant, cloying cleavers.

We’re sorry for your loss, she hears, and her eyes catch a cluster of magic mushrooms sprouting in a clearing. The sight reminds her to ring her therapist friend, Jim, who has been touting the benefits of psychedelics to guide the bereaved even before he heard about Evan.

We’re sorry for your loss. Less than a week later, under the influence of the psilocybin Jim has managed to source, she hears this same condolence. Are the shrooms she has just consumed the very ones she spotted on her woodland walk? She is guided not to dwell upon the referent of the first-person plural pronoun. Instead she follows a winding, bewildering pathway of the linguistics of loss: back-formation of the past participle (lost) of lose, from Old English losian, almost always used intransitively to mean perish, or to be lost or missing. 

The psylocibin-induced etymology unwinds her. She too is perishing, is missing, where is she

You are here, the shrooms reassure her. But what is you? The loss is a loss of language—language losian, language loosing, language losing, she chants until it is revealed: It is not just she who is here, or you, or him, it’s all of it, all the pronouns for all the people, all the misguided verb inflections for all the persons and all the tenses—here, here, here, until there is no not here and nothing is ever lost.


Would you like to know more about this story? I discuss it in Episode 114 of Structured Visions. You can also sign up to the Grammar for Dreamers newsletter to get monthly updates on the ideas that inspire my work.

An image of an astronaut in the dark

The last stage of the Earth’s evolution

An image of an astronaut in the dark
Photo by Nate Holland

‘Go tell your grandmother the good news,’ Mum said, and begrudgingly I obeyed. I was given sweet marjoram and lemon balm tea, the leaves freshly plucked from Gran’s herb garden. Three teaspoons of sugar made it just about bearable.

‘I got my A-level results today,’ I told her. ‘I’m off to uni.’

‘To study science?’ she asked.

‘Natural sciences,’ I confirmed. I was surprised she remembered. I almost never talked to Gran. In my teenage years she was even battier than when I was little, and it made me nervous.

‘Will you learn about the Earth’s evolution?’

What other planet did she think we’d be studying, I wondered, but I choked down my sarcasm with another sip of tea. When I looked up again Gran was having one of her episodes.

‘The last stage in the Earth’s evolution,’ she intoned, ‘was the formation of human language. It enveloped human bodies like space suits. Whatever consciousness could make its way in struggled to flow back out—by design—so that humans were as lonely as they were inventive.’

I took advantage of her trance state to check my phone. My friends were organising celebratory afternoon drinks at the Rusty Nail.

‘As tyrannical,’ Gran continued, ‘as they were miraculous.’

‘Hmm. Interesting,’ I said. I drained the dregs of the disgusting tea, made some lame excuse and fled.

Over two decades later, I’m standing by her grave to ask the questions I was too self-absorbed to ask then. What were you saying in the garden that day, Gran? I’m sorry. I wasn’t listening.

But whatever wisdom she’d once held in her linguistic envelope had long since dissolved into space. Retrieving it, let alone getting it into the hermetically sealed suit of my own consciousness, would require some kind of crazy miracle.


Would you like to know more about this story? I discuss it in Episode 102 of Structured Visions, ‘How to belong.’ You can also sign up to the Grammar for Dreamers newsletter to get monthly updates on the ideas that inspire my work.

No and the ark

Round gold icon painted with a scene from the Biblical story of Noah's Ark
Photo of Noah’s Ark icon by Jim Forest

Who are all these people, and why are they all here?

Belinda has not responded to her three-year-old daughter’s repeated questions, though the answers are easily available.

The beach house seems ready to burst at the seams, either from the heaving throngs of family sprawled about in various stages of multi-family chaos within, or from the howling gales that hammer against the paper-thin walls without.

These are my cousins, and they’re here for your great-grandmother’s funeral.

They’ve reached that drunken stage of family gathering where everyone tries to remember Nan’s stories.

Bill, once the thick-headed bullying eldest cousin, now professor of comparative literature at Boston University, tries to convince everyone their grandmother’s vast collection of stories consisted solely of variations on Bible themes.

Carly, who runs a tattoo salon in Brooklyn says he’s reading way too much into it.

Gina, the Montessori peacekeeper, is praising the artichoke dip.

Who are all these people, and why are they all here?

Belinda has breathed barely a word since they congregated at the family vacation home, not even to her daughter – just enough to manage the logistics of getting Ella fed and tucked into the cot in their shared room. She’d like to be in bed herself, but can’t risk it yet. Ella sleeps lightly and might hear her crying.

Bill reminds Carly that Nan was once a nun, and professes his belief that the endless stories were her rebellion against the church and its narratives. 

If she was that pissed off about the church, why are we burying her in one, Carly wants to know, and Gina pipes up that there was one story in particular that reminded her of Noah’s ark.

‘The story Nan told was about a man named No.’

The words have escaped Belinda’s lips as a breathy whisper, but the wind has just ceased, and everyone’s heard her. The cousins and their partners stay silent, waiting for more.

Who are all these people, and why are they all here?

‘No was the only person on the Earth. He lived among all the animals, who named him “No” because he had no speech. No matter how much they simplified their language, he could never make sense of what the animals were saying. He just kept shaking his head, “no”.’

They’re your family, and they’re here because my Nan died.

What would Ella know of people gathering when someone died? Greg died suddenly, in the middle of the pandemic, and they weren’t allowed a funeral. What Ella knows of her own daddy’s death is loneliness and silence, not this expansive hearthside festival of laughter and story.

Belinda shakes her own head, ‘no’, at her cousins’ clear desire to hear the rest of the tale. Still, the words tumble out, as relentlessly as the newly revived winds.

‘The animals got together and decided No was too distracted by all the beautiful things on the land, so they called down the rain to wash it away. They built a boat and drifted away on the monotonous sea. For forty days and forty nights they taught him their language.

‘No remained silent, confused.’

Her family had tried various ways to contact her, to keep her company during her grief, to occupy Ella, to encourage Belinda to go out for a walk at least to clear her head. Belinda turned off her phone and retreated inside herself, silent. Ella stopped crying, and Belinda’s own tears remained voiceless, wracking, heaving. 

‘When the rains stopped and the waters finally abated, the animals gave up hope. They moved back to the dry land in the springtime and made their dens there. No did not follow them.’

It’s a strange place for the story to end, but Belinda cannot remember any more.

No must have died alone on the boat, starved by his own silence.

Perhaps he found peace at the end.

‘In the silent nights, No’s ears were opened,’ she’s saying now, finishing the tale. She can hear her crazy grandmother’s soothing tones of her voice in her own voice. She puts her arms around herself and keens slowly, more than a little crazy herself by now, she imagines. 

‘No’s ears were opened to the whistling tunes of the wind. His heart beat to the staccato rhythms of the waves drumming the boat’s resonant hull. He swallowed the wind and the waves, and at once he had language.’

But it was not a language the animals knew, and No remained alone.

The tragic ending of her grandmother’s tale remains unvoiced, except by the wind that still beats insistently against their mourning house.


Would you like to know more about this story? I discuss it in Episode 73 of Structured Visions.